by Kat White
I
like the word adobe.
It rolls easily in my mouth, sounding full and round. I like that the
word itself is over 4,000 years old, it has sustaining power—it
lasts. Adobe structures are sensible: they hoard heat in cold New
Mexico nights and buffer from 120-degree July days. The cool clay
slabs of earthy mud inherently know what to do, and when. The houses
appear soft, almost spongy, but they aren’t at all. The façade is
just that, a façade; adobe is deceptively strong. The dusty apricot
of the sun-baked clay seems velvety to me, easy on the eyes, like the
houses sprung up organically from the arid desert sands. Like they
just belong there, naturally. Adobe.
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I’m
a wanderer, but I’m drawn toward that which isn’t and drawn
towards those who aren’t. Kasey.
The woman who makes me want to stay, anywhere, with her. We talk
about moving to New Mexico, Taos mostly, putting down roots in those
arid desert sands. Individually, we’ve drifted all over the
country, but we’re ready to stay put now—together. We think we’re
ready for adobe.