by Sara Jean Yaste
The flash of metal shocks
her. In it she sees the flash of memory, of her mother holding her
hand when she drank a glass of soap mistaking it for lemonade, of her
brother beating her up outside of their high school, right before
they were to start a high school play, or her few boyfriends who
couldn't handle her nature and also decided to use physical violence
to deter her from herself.
She sees all these things
and digs the metal deeper. "Not made for this life," keeps
repeating over and over in her head, like a failsafe mantra, like an
excuse, like an apology.
Another memory, "excuses
are monuments of nothingness." A poem she was told to memorize
and recite for her fourth grade class. Standing in line to leave the
classroom and hearing comments from boys around her remarking that if
she's standing a certain way or touching something it is because she
likes whomever is making the statement. Two boys fighting over her on
the playground (this was before she'd had her first kiss, mind you)
and the teacher thinking it was funny and making snarky comments to
her all the while.
Other memories, getting
to sing a solo in third grade choir. Sticking up for her friend
Vanessa who was small and different and would get picked on by the
bigger kids. Sticking up for her brother who was a bit portly and
would get made fun of at the bus stop. At one point she spit on the
bullies and nearly attacked them. They didn't know what to think,
coming from an eight-year-old girl four years younger than them.
Sometimes she feels like
she's already lived several lifetimes, and it feels exhausting. From
the myriad relationships, the small marriages, the bands, the jobs,
the homes, the houses, the faces, the voices, there are just too many
now to keep track, to possibly fit into one lifetime.
She used to play a mental
game, of trying to remember distinctly each face, each friend, each
human she has ever personally known. It was more an exercise in
memory, as she didn't want to forget, like her best friend Candice
from third grade. She didn't want to forget the soft nuzzle of her
first cat that she rescued and then was put to sleep by her parents
when she was away one summer.
Now all these memories,
they serve no purpose. They make up the existence, the fog, of a mind
that seems no longer capable of dealing with everyday life. Of the
shattering realities of living in a world where beauty really is
fleeting, where people too often don't really care about you, where
love is in scarce supply, unless you are willing to bend to the will
of those wanting to give it…at least she knows now, that is not
really love.
Maybe if she dies and is
reincarnated she will have a better chance next life? She remembers
the name of the record by the boy who she lent $1000 to, and
introduced to an audio engineer, to help him record a record. It is
called "Better Luck Next Life." She also loved him, but her
nature made it hard to stay faithful as he wanted, and so again she
was dismissed. He never sent her a copy of the record as he had
promised, although she did send him one of hers. He eventually moved
to Brooklyn and married his new bassist. The bassist seems exotic
from pictures, and she is happy that he finally found someone who
will hopefully make him happy.
She remembers, that
before the boy left, he told her she has to find her darkness. That
she is always so polite and cheerful, that she is not being real. She
scoffed at him, saying that he is much younger than her, that she
experienced enough darkness already and doesn't wish to revisit. It
is only now she realizes, one doesn’t always have a choice.
The cheerful mindset was
one she carefully constructed over a lifetime, in order to combat the
devastation of being hit by people she loved, of being voluntarily
abandoned by her parents before she was 18, of so many short-lived
friendships. There must be something wrong with her.
This must be why she
always wants to stick up for the underdog. As that is what she is.
But with no one to stick up for her anymore, at least in a way that
actually makes a difference, not just someone trying to show empathy
because they know it's the right thing to do at the time, she feels
lost.
What can she really
contribute to beauty now anyway? Her short life has already been so
fraught with tension and instability, her carefully constructed veil
of positivity now shattered and abandoned, her family and friends
long out of reach, both emotionally and physically. What's the point
of going on? She thinks to herself, sitting in the bathtub,
transfixed by the glint of the metal.
She remembers hearing the
news story of an Egyptian woman who threw herself from her fourth
floor flat, after being served with an eviction notice, as she could
no longer afford her mortgage.
This act sparked a series
of improvements for the lives of other Egyptians when dealing with
developers and landowners. She distractedly contemplates what goes
through peoples’ heads before they decide to become martyrs, as if
that's even a conscious decision each time. She wonders about the man
who reportedly hung himself from a tree in her backyard, this
backyard, of the house of the bathroom she is now in. She wonders if
it was also because he was forced to move and he didn't have any
options or rather, hope, left.
All day long, she's only
eaten a single piece of toast, and drank two glasses of water. She
has plenty of money to go buy food (at least for now) and is in her
home that will no longer be her home in a matter of time. She's been
consistently eating less and less. She thinks about this too, with an
air of detachment, as if already from outside looking in. She thinks
about the dreams she's been having lately. Of her mother finally
coming home and hugging her. Of her lover standing in his ex's
kitchen looking forlorn, like he made a mistake after all in choosing
her. In reality he hasn't really chosen her at all. Sure he sleeps
with her when he wants and helps himself to her domestic comforts
like food and company, but then they have difficulty talking about
their emotions together; he constantly breaks her heart by breaking
it off between them only to miss her and then she accepts him back
again...this pattern takes its toll.... This was all before, when she
was trying to seek therapy, when she had more hope that this was all
maybe just a phase, that it was something she could overcome.
She scans apartments for
rent and jobs for hire. The random nothingness of it all is crushing.
What’s the point?
What's the point of being yet another first-worlder that consumes
more than she gives and harms nearly everything in the process, all
under the guise of survival? This doesn't feel like survival, much
less living. It feels like dying. She feels like she's already dead.
She thinks about how her
grandfather, Allen, shot himself in the head with a shotgun by the
barn while his wife, her grandmother, was inside the house just feet
away. She remembers her grandmother telling of how brain matter was
splattered on the windows of the kitchen. He did this after being
diagnosed with lung cancer, and getting his truck taken away.. He had
been on oxygen for a while and always said that he didn't want to be
someone that sucked the family's money away. Later, when the
grandmother developed ovarian cancer, (passed hereditarily in some
cases...great) her grandmother would lie on her bed asking for her
only granddaughter who wasn't there. By the time she was able to make
it to her grandmother's bedside, the sickness had stolen her memory,
and she didn't remember her granddaughter anymore.
She remembers looking
through her grandmother's diary, after she had passed, and reading
the entries leading up to the sickness…about not being able to eat,
not being able to drink, about the pain.
She always felt it was
her lot to also get cancer. For years now, she's found strange lumps
on her body, deeply embedded into the skin. Since she can't afford
health care, she doesn't really know what they are, but sometimes
they are painful to the touch. A boyfriend at some point said he had
a terrible dream that he was taking care of her, as she was bedridden
with cancer. The boy said he sometimes had premonitions, long before
he had this dream.
Shapes started forming in
the water. The clarity of the pure coupled with the blush of burgundy
seems wholly beautiful. At least something that is real. Something
that is really happening, that she has complete control over. She
won't be disgraced by need and rejection; she won't be tarnished by
bitterness and struggle; she will find sweet relief, peace in the
darkness, a relaxing bath in warm water. It doesn't really even hurt
that much physically, and since she's contemplated this as a last
resort for some time, the emotional pain has already long taken its
toll.
She's not cut out for
this life, so she's cutting out of it altogether.
She hopes her mother and
father can comfort each other and not blame themselves. She knows
she's reached out to them and they've tried to do what they can, but
they are so far away and they seem to relate to her less and less as
time goes on.
She remembers the will
she so carefully crafted after making this decision.
The settlement money from
the brothers who are evicting her, so that they can take her home and
live in it instead, will go to the nonprofit music school she works
for.
The omnichord that she
bought from a friend in order to "keep it in the family"
when he was broke and needed money and was going to sell to a
stranger, will go back to him.
Her 1969 SG will go to
her old bandmate, who inspired her to get one.
The rest of her
instruments and music gear will go to her friend from Occupy, who
always helped so much with sound and music needs whenever she asked,
without fail.
Her clothes will go to
her friend who runs a vintage shop and can sell them.
Her pink pillow will go
to her mom, who made it for her, when she was 2. Her quilt and other
handmade items from her mother, will go to her best friend who also
makes clothes and jewelry and will appreciate their folk art nature.
Her book collection will
go to her bandmate and love, as he always likes reading so much, and
she never got to share the books she loved with him, as he is always
so busy. She would often harbor the small fantasy of living together
when they got older and reading in bed on Sunday mornings. But it
seemed more and more evident as time went on that this would never
happen.
A lot of the things that
she wanted for so long would never happen. Stability. Unconditional
love.
Family.
Her memories finally
fades. The lives of other people will go on. Soon they will forget
her, if she ever really existed at all.
Sara Jean Yaste is a musician, writer and artist currently based in San Francisco. Her work calls to question traditional values regarding private property, communal space, temporary autonomous zones
and soul shelters. She describes her work as 'pastel survivalism' and
'electro wilderness.' She recently finished her first book, Examined/Active, documenting
through photos and essays, emerging and established alternative art
spaces throughout the Southwestern United States. She plays guitar and
sings in the bands Future Twin and Dark Materials, and teaches music to
youngbloods at Blue Bear Music School. Read more of SJY's work and reach
her directly at www.sarajeanyaste.com.
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